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Nem vagy bejelentkezve. Ha szerkesztesz, az IP-címed nyilvánosan látható lesz a laptörténetben. Ha
bejelentkezel
vagy
regisztrálsz
, a szerkesztéseid a felhasználónevedhez lesznek társítva, egyéb hasznos dolgok mellett.
Spam elleni ellenőrzés.
NE
töltsd ezt ki!
== GUIDELINES FOR APPLYING CONTENT DESIGNATORS == :'''INDICATORS''' ::Both indicators are undefined; each contains a blank (#). :'''SUBFIELD CODES''' ::'''$a - Number of work''' :::Code that indicates the work to which the incipit applies. The numeric code is based strictly on the order and presentation of works within the catalog record. If the record describes only one work, use 1. ::::'''031''' ##$a2 :::::''[An incipit identifying the second sonata of a set of six.]'' ::'''$b - Number of movement''' :::Code that indicates the movement within a work to which the incipit applies. The numeric code is based strictly on the order and presentation of parts within the work. If the work has only one movement use 1. ::::'''031''' ##$b3 :::::''[An incipit identifying the third movement of a symphony.]'' ::'''$c - Number of excerpt''' :::Code that indicates the order of incipits within the movement defined in subfield $b. If there is only one incipit for a movement, use 1. ::::'''031''' ##$c1 :::::''[An incipit for the instrumental introduction of an aria.]'' ::::'''031''' ##$c2 :::::''[An incipit for the vocal part of an aria.]'' ::'''$d - Caption or heading''' ::::'''031''' ##$dAria. Allegro :::::''[The transcribed heading of the movement.]'' ::'''$e - Role''' :::Name of the character singing the incipit coded in subfield $p (Musical notation), when appropriate. ::::'''031''' ##$eSara :::::''[Name of character in the aria.]'' ::'''$g - Clef''' :::Clef of the incipit, as it appears in the source. Use the appropriate code from the scheme specified in $2. ::::'''031''' ##$gF-4 :::::''[The incipit uses the bass clef (Plaine & Easie Code).]'' ::'''$m - Voice/instrument''' :::Name of the voice or instrument coded in subfield $p (Musical notation). Subfield $m is usually in coded form, derived from a controlled list maintained by the cataloging agency. :::Terms may also be taken from the item being cataloged if there is no appropriate code available. ::::'''031''' ##$mS :::::''[RISM code for Soprano voice.]'' ::'''$n - Key signature''' :::Key signature of the incipit. The letter “x” indicates sharps and the letter “b” indicates flats followed by capital letters to indicate the affected pitches. ::::'''031''' ##$nxFCG :::::''[The incipit is in A major with three sharps.]'' ::'''$o - Time signature''' :::Time signature or mensuration sign of the incipit. The time signature may be transcribed as a symbol (for mensural notation use “c”, “c.”, “o”, or ”o.”; or “c” for common time, “c/” for alla breve) and/or a number (“3", “2", “c3", etc.) or a fraction (“4/4", “12/8", etc.) or "nd" if marking is not present. Use of subfield $o is mandatory if subfield $p is present or subfield $2 contains either code "pe" or "da." ::::'''031''' ##$oc :::::''[The incipit is in common time.]'' ::'''$p - Musical notation''' :::Notation symbols of the code specified in subfield $2 to transcribe the first 10-12 notes of the selected staff. The code system used in indicated in subfield $2. ::::'''031''' ##$p'2B4B8BB/4G8GxF4FF/4xA8AA4.At8B/4B$2pe ::'''$q - General note''' :::Free-text general note. ::'''$r - Key or mode''' :::Key or mode of the incipit, if applicable. The following codes from the Plaine & Easie Code may be used: :::*Capital letters A-G indicate major keys :::*Lowercase letters a-g indicate minor keys :::*Letter “x” indicates sharps :::*Letter “b” indicates flats :::*Numbers 1-12 indicate Gregorian modes ::::'''031''' ##$re :::::''[The movement is in the key of E minor.]'' ::'''$s - Coded validity note''' :::Note in coded form on the validity of the information. :::*Question mark (“?”) indicates that there is a mistake in the incipit that has not been corrected :::*Plus sign (“+”) indicates that there is a mistake in the incipit that has been corrected :::*Letter “t” indicates that the incipit has been transcribed (e.g. from mensural notation) :::*Exclamation point (“!”) indicates that incipit discrepancies have been commented on in subfield $q (General note). ::::'''031''' ##$s? :::::''[There is a mistake in the incipit that has not been corrected.]'' ::'''$t - Text incipit''' :::Literary text (if present) as it appears on the source. It is usually the text corresponding to the music in the incipit. If the source has multiple texts (usually recorded to accommodate contrafactum texts), each corresponding text string is transcribed in a separate occurrence of $t. ::'''$u - Uniform Resource Identifier''' :::Uniform Resource Identifier (URI), for example a URL or URN, which provides electronic access data in a standard syntax. This data can be used for automated access to an electronic item using one of the Internet protocols. URIs usually recorded include audio files (such as .mid, .wav., .mp3), image files (.jpg, .tiff, .gif) or notational files (such as enigma or niff). ::::'''031''' ##$uhttp://www.classicalarchives.com/cgi-bin/n.cgi/prep/6/jsbbrc11.mid :::::''[A MIDI file of the incipit is located online.]'' ::'''$y - Link text''' :::Link text which is used for display in place of the URL in subfield $u. When subfield $y is present, applications should use the contents of subfield $y as the link instead of the content of subfield $u when linking to the destination in subfield $u. ::'''$z - Public note''' :::Note relating to the electronic location of the source identified in the field. The note is written in a form that is adequate or intended for public display. ::'''$2 - System code''' :::MARC code that identifies the encoding system used to transcribe the musical notation in subfield $p (Musical notation). Use of subfield $2 is mandatory if subfield $p is present. Code from:[http://www.loc.gov/standards/sourcelist/musical-incipit.html Musical Incipit Scheme Source Codes]. ::::'''031''' ##$p'2B4B8BB/4G8GxF4FF/4xA8AA4.At8B/4B$2pe :::::''[The incipit is encoded using the Plaine & Easie Code.]'' ::'''$6 - Linkage''' :::See description of this subfield in Appendix A: [http://www.loc.gov/marc/authority/ecadcntf.html Control Subfields]. ::'''$8 - Field link and sequence number''' :::See description of this subfield in Appendix A: [http://www.loc.gov/marc/authority/ecadcntf.html Control Subfields]. :'''EXAMPLES''' ::Coding of ''Aria, S Rei d'impuniti eccessi'': ::'''031''' ##$a01$b01$c01$mS$dAria$tRei d’impuniti eccessi$re$gC-1$oc$p'2B4B8BB/4G8GxF4FF/4xA8AA4.At8B/4B$2pe ::Coding of the ''Scena ed aria Deh parlate che forse tacendo by Cimarosa'': ::'''031''' ##$a01$b01$c01$mvl1$dScena. Largo$lG-2$nbBEA$oc$p'C+8(3{CDEFG};5)}8{GC}{,nB'G}4(-)/''2G+6{GnB'''C''E}6{DCAG}$2pe ::'''031''' ##$aa$b01$c02$mS$eSara$dScena. Largo$gC-1$nbBEA$oc$tChi per pietà mi dice il figlio mio che fà$p=5/4-''6C3CC6DEgF6CC8-6ED/q8D4C8C'nB''4D-/2-/$2pe ::'''031''' ##$a01$b02$c01$mvl1$dAria. Allegro$gG-2$nbBEA$oc$p6{'EDEF}{GABG}{EDEF}{GABG}/{''C'BAG}{FEDC},4B-/$2pe ::'''031''' ##$a01$b02$c01$mS$dSara$dAria. Allegro$gC-1$nbBEA$oc$tDeh parlate che forse tacendo$p2-/2-''4.F8D/gC'8BB4-2(-)/=2/''2E'G/''4.C'8A4F-/-Fq8B4A8GF/$2pe ::DARMS coding and URL of MIDI source of J.S. Bach’s ''Brandenburg Concerto Nr.1 BWV 1046, 1st oboe part'': ::'''031''' ##$a01$b01$c01$mOb. 1$gG-2$nbB$oc$pRE 9S(( 8)) 9(( 8 9 8)) 9E( 6) 7( 6S( 5)) / 4S(( 3 2 3))/$uhttp://www.classicalarchives.com/cgi-bin/n.cgi/prep/6/jsbbrc11.mid$2da <p align="right">[[Kezdőlap]] - [[A MARC21 authority formátum]] - [[Authority 01X-09X]]</p>
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